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| Education | Exhibition | Work
in collection | Publications | Workshops
and Demonstrations | With
Celebrities | Awards |
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Each letter in every
script known to man holds an eternal power, an individual
beauty in its vertical, horizontal,
angular lines, in their continuity. I have made
efforts to bring forth calligraphy not only as art
form but a expressive
medium where letters in all their nakedness become
alive, vibrating, pulsating with its inherent, shape,
giving
a canvas space to your thoughts, a meaning to the
sounds & actions.
Be it Devnagri or the English scripts, a constant
thirst for knowledge and passion for perfection
continues to give a
special meaning to my quest in Calligraphy. Even
today I say, that I have just begun the journey
towards my destination
and I still have a long way to go. |
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ACHYUT
RAMCHANDRA
PALAV
B’Date: 27th
January 1960 |
OFFICE
:
G 203, Deck Level,
CBD Belapur Station Complex,
CBD Belapur, Navi Mumbai 400 614.
Tel: 022 2757 1513 / 9513.
Mobile: 0 98211 63141
E-mail
: achyutpalav@gmail.com calligraphyinfo@gmail.com |
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EDUCATION
:
G.D Art from Sir J.J. Institute of Applied Art, Mumbai.
1984 Research Scholarship from Ulka
Advertising for thesis on Modi script
(15th to 17th Century).
Ex. Faculty member of Sir J.J. Institute of Applied
Art
1984 Research Scholarship
from Ulka Advertising for thesis on Modi script
(15th to 17th Century) :
''Modi" a specialized
branch of calligraphy that has formed the basis
of the study. This script, which at one time
flourished and enjoyed royal patronage, is now almost
obsolete. The origin of this script and its first
use has been widely debated and researchers have
not arrived at a consensus on whether the script
originated within itself or evolved from contemporary
scripts and languages. Whereas numerous propositions
have been made and hypothesis laid as to its
origin, these fail to satisfy the commonality. The
examples quoted in this study will attest to this
fact. Practice was
done with the objective of reviewing past hypothesis
and proving a fresh outlook on hitherto make conclusions
and
to find for new directions. |
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Modi
Letters 1986
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| EXHIBITIONS |
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| 1986 |
Sir J.J. Institute
of Applied Art, Mumbai. |
| 1986 |
Fachhochschle,
Wiesbaden, Germany |
| 1987 |
Indira Gandhi
Nation Center For the Arts,Dehli (Group Show) |
| 1988 |
Calligraphy
Group Exhibition in Germany, France, United
Kingdom, The Netherlands. |
| 1990 |
Sir J.J. Institute
of Applied Art, Mumbai. |
| 1990 |
Mandir Art
Gallery, London. |
| 1991 |
Pentiment International
Academy, Germany |
| 1993 |
A. G. Gallery, Hamburg, Germany |
| 1994 |
Y.B. Chavan
Centre, Mumbai. |
| 1996 |
Shripati Art Gallery, Mumbai |
| 1998 |
Birla Academay
of Art & Culture |
| 2000 |
Gallerie Leela,
Mumbai, Group Show |
| 2001 |
Nehru Centre
Art Gallery, Mumbai; Tao Art Gallery, Mumbai;
India Art, Pune (Group Show); Indian Oil (Group
show). |
| 2002 |
Swami Samarth Sevak School, Thane |
| 2003 |
India Art Gallery,
Pune |
| 2004 |
Jehangir Art
Gallery, Mumbai; Sun & Sand, Pune (Group
Show) |
| 2006 |
Nirmal Lifestyle,
Mumbai |
| 2008 |
International Calligraphy Exhibition, Russia |
| 2008 |
SEOUL International Print, Photo Art Fair |
| 2008 |
Callifest, Mumbai |
| 2009 |
Art Circle, Ratnagiri |
| 2009 |
CISFA Ki Chhoti Gallery, Nagpur |
| 2009 |
Tradition Art Gallery, Mumbai |
| 2009 |
Beijing Typography 2009, ICOGRADA World Design Congress, Group Show |
| 2010 |
Hues of Harmony, Dubai |
| 2011 |
Balbhavan, Dombivali
Bharatiya Vidya Bhavan, London
Balgandharva, Pune
Nehru Centre, Worli |
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| WORK
IN COLLECTION |
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- European Contemporary Museum of Calligraphy, Moscow
- Stiftung Archive, Germany
- Klingspor Museum, Germany
- Akademic Der Kuenste, Berlin
- Anil Ambani, Reliance Group
- B K Birla, Kolkata
- Birla Institute of Management, Navi Mumbai
- Chougule Group
- Navneet Publications
- Mid Day Publication
- Thane Mahanagar Palika
- Vrutta Manas
- A G Art Gallery, Germany
- Flagship Advertising
- Hotel Leela, Goa
- Arbindo Ashram, Pondicherry
- Accutest Research Laboratories, Navi Mumbai
- Atal Bihari Vajpayee
- Gulzar
- Sonia Gandhi
- Balasaheb Thackarey
- Raj Thackarey
- Pratima Kelekar
- Sachin Tendulkar
- Sachin Pilgaonkar
- Asha Bhosale
- Sharad Pawar
- Ram Naik
- Rupali Piramal
- Amisha Shah
- Jackie Shroff
- Hemant Trevedi
- Harshad Mehta
- Armenian Consulate
- Lata Narvekar
- Veena Ahuja
- Vijaya Mehta
- B. P. Choudhary
- Ameet Poojara
- R. G. Kadam
- Mithila Dalavi
- Mandhana Industries Ltd.
- Arvind Mhatre
- Nitin Killawala
- Nitin Desai
- Ram Shewalkar, Nagpur
- Vijaya Rajadhyakshya
- Dr. Prakash Ghatge, Secunderabad
- Andrea Lausi, Italy
- Bhavana Phul, New Jersey
- Anthony N. Eva, England
- Henry Coste, France
- Prabhu Ponkshe, Washington
- Ulrike Loy, Germany
- Hiren Kakkar
- Rajendra Godbole
- Raju Maniwalla
- Ulrike Loy, Germany
- And lots of personnel collection world wide
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| PUBLICATIONS |
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| 1986 |
Diary, Modi
Script |
| 1990 |
Diary, Dnyaneshwari |
| 1994 |
Diary, Sant
Tukaram |
| 1995 |
Diary, Sant
Ramdas |
| 1996 |
Calendar, "Shabda
Puran", The Word. |
| 1998 |
"Aksharanubhav",
Book on Calligraphic Expressions |
| 2000 |
Master Writer
Program, Book on Handwriting Development |
| 2002 |
The Handwriting
Manual, Book on Handwirting Development |
| 2004 |
Urjakshara, The Eternal
Energy of Calligraphy (Rs.
650/- NOW
AVAILABLE AT Rs.
400/-) |
| 2006 |
Aksharakruti (
AVAILABLE
AT ALL NAVNEET OUTLETS
Rs. 225/-) |
| 2008 |
Calligrapphy Roadways by Achyut R Palav( AVAILABLE
at Rs. 275/-) |
| 2010 |
Lalbaughcha Raja Book
Different Strokes - Diary |
| 2011 |
Silver Calligraphy, Catalogue |
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| WORKSHOPS
AND DEMONSTRATIONS |
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| 1986 |
'Aksharayoga' A workshop
cum seminar on Calligraphy. Industrial Design
Centre, I.I.T. Mumbai. |
| 1986 |
Fachhochschule Wiesbaden,
Germany. |
| 1988 |
'Akshardrashana'
Indira Gandhi National Centre for the Arts,
New Delhi. |
| 1989 |
Kaleidoscope
/ Calligraphy workshop Sophia College, Mumbai. |
| 1990 |
Akshar Ankan
/ Calligraphy workshop Sophia Polytechnic,
Mumbai. |
| 1991 |
Pentiment International
Academy, Hamburg, Germany. |
| 1993 |
Calligraphy
workshop for school children, Parle Tilak
Vidyalaya, Mumbai. |
| 1996 |
Calligraphy
: Widening Horizons/ N.C.P.A. and Mohile /
Parikh Centre for the Visual Arts, Mumbai. |
| 1997 |
Handwriting and Calligraphy
workshop for school children Prangan / Thane.
Communication Art Guild. |
| 1998 |
- Bal Gandharva Art Gallery, Pune
- Brain Storm, Plaza Art, Mumbai
- Birla Art & Culture Academay, Mumbai
- Tata Institute of Social Sciences
- AG Gallery Hamburg (Germany).
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| 1999 |
- Thane School of Art Model Art Institute
- Nirmala Niketan
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| 2000 |
- Sophia College, Mumbai
- Aksharvishwa, Mumbai.
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| 2001 |
- B.D Somani School of Art,
Mumabi
- 'Kalavishkar', Pune.
- Shivsamartha High School, Thane.
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| 2001 |
Satya Art gallery, Mumbai. |
| 2002 |
Kalaghoda Festival, Mumbai. |
| 2002 |
Swami Samarth High school,
Thane. |
| 2003 |
- M. S. University, Baroda
- B. D. Somani School of Art.
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| 2004 |
Mumbai University
Hindustan Lever. |
| 2005 |
L. S. Raheja
Institute of Fashion Designing, Mumbai |
| 2006 |
Workshop held
in Pune (FTII) for 1 day |
| 2006 |
- Kyoorius Design Yatra, Goa
- Tata Motors, Pune
- Residential Calligraphy Workshop, Nasik
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| 2007 |
- National Youth Festival, Pune
- India habitat Center, Delhi
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| 2008 |
- Pulotsav, Pune.
- Typography Day 2008, IDC Mumbai
- EMS 2008, ParisInternational Calligraphy Exhibition, Moscow
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| 2009 |
- Utsav Bhujbal Knowledge City, Nasik
- Muktachand 2009” Fergusson College, Pune.
- Fashion Show at Kala Ghoda Festival, Mumbai
- ICOGRADA World Design Congress 2009, Beijing
- ‘Aksharanubhuti’ Calligraphy Workshop, Nagaon
- 'BASF’ Corporate Workshop, Ooty
- IIT, Kanpur
- Tata Motors Corporate Workshop, Lucknow
- Dr. Babasaheb Ambedkar Marathwada Vidyapeeth, Aurangabad
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| 2010 |
- 'BASF' Corporate Workshop, Ooty
- IIT, Kanpur
- Tata Motors Corporate Workshop, Lucknow
- Dr. Babasaheb Ambedkar Marathwada Vidyapeeth, Aurangabad
- RCF, Mumbai
- Indian Oil, Mumbai
- Art Fusion Show, Nehru Centre, Worli, Group Show
- Consulate General of the Russian Federation in Mumbai (Cultural Department)
- Commemoration of the 60th anniversary of India-China Diplomatic Relations, Mumbai
- Hues of Harmony, Dubai
- Govt. School of Kerala
- Kala Ghoda Festival, Mumbai
- Bharatiya Vidya Bhavan, London
- Kala Bharati, Devgad.
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| 2011 |
- Kala Ghoda Festival, Mumbai
- Kala Bharati, Devgad
- Times of India, Mumbai
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| 2012 |
- M.S.University, Baroda
- National Mission for Manuscript, Delhi
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AWARDS |
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| 1992 |
Maharashtra
State Art Award |
| 1993 |
Communication Art
Guild Award |
| 1994 |
Maharashtra Rajya
Film Award |
| 1994 |
Communication Art
Guild Award |
| 1996 |
Indian Express Group
of Publications |
| 1998 |
Communication Art
Guild Award |
| 1998 |
A & M National
Award |
| 2003 |
Maharashtra Rajya
Film Award |
| 2004 |
Felicitated by Kesari
Art Foundation |
| 2004 |
Felicitated ‘Sindhu
Ratnabhushan’ by Sindhudurgh Malwani Academy |
| 2005 |
Felicitated ‘Navi
Mumbai Bhushan’ from NMMC |
| 2006 |
Maharashtra Rajya
Film Award |
| 2007 |
Felicitated by Youth to Youth foundation, Pune |
| 2007 |
Felicitated by Bharari, Bharatiya Vidhyarthi Sena |
| 2008 |
Felicitated by Late Shri Gulabrao Ganacharya Smruti Samiti |
| 2009 |
- Felicitated by TACCI, ‘The Pillers of Hindustani Society’
- Felicitated by Janadesh Puraskar
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| 2010 |
- Felicitated by Marathi Vyapari Mitra Mandal
- Felicitated by Rachana Sansad, Mumbai
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| 2011 |
- Felicitated by Rotary Club, Navi Mumbai
- Felicitated by Navi Mumbai Kalasankul
- Nominated for the prestigious’Maharastrian of the year award’ by Lokmat Group
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| 2012 |
Maharashtra Rajya Film Award |
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CHARITY WORK FOR: |
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- CRY
- Akansha Foundation, Mumbai
- Society for the Education of the Crippled
- Pragati Kendra, Mumbai
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MY MASTERS
: Prof. R. K. Joshi,
Prof. Werner Schnieder, germany |
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OTHER EMINENT PERSONALITIES
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